Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Franz Xaver Winterhalter
Baronne Henri Hottinguer, nee Caroline Delessert

ID: 86023

Franz Xaver Winterhalter Baronne Henri Hottinguer, nee Caroline Delessert
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Franz Xaver Winterhalter Baronne Henri Hottinguer, nee Caroline Delessert


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Franz Xaver Winterhalter

German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.  Related Paintings of Franz Xaver Winterhalter :. | The Empress Eugenie | Portrait of Helena of Mecklemburg-Schwerin | Portrait of Prince Albert | Charles-Jerome, Comte Pozzo di Borgo | Princess Pauline de Metternich |
Related Artists:
Krzysztof Aleksander Boguszewski
painted Virgin Mary on the dragon surrounded by angels in 1629
Francois Lamoriniere
painted View at Edegem in 1863
James clarke hook,r.a
1819-1907 English painter. He studied with the portrait painter John Jackson and entered the Royal Academy Schools, London, in 1836, winning medals for drawing and historical painting. His Academy d?but was in 1839 with The Hard Task (untraced). In 1844 Hook was awarded a gold medal in the Houses of Parliament competition. In 1846 he won a Royal Academy travelling scholarship, enabling him to spend two years in Italy, where he was strongly influenced by the colouring of the Venetian painters. On his return his work included a series of subjects from Venetian history, including The Rescue of the Brides of Venice






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